Thrones of Myanmar Sovereigns

Myanmar, is an ancient country with its own national identity, culture and civilization. Since
ancient times, it was an independent sovereign nation ruled over by its own
monarchs in their splendid palaces.
So in royal ceremonies of days gone by, the throne of the King was the most
important symbol of sovereign power. The King seated on his royal throne, would
preside over various important ceremonies, and hand down judgments.
However, different thrones were used for different specific occasions and there
were 9 thrones altogether but of 8 different kinds installed in their respective
halls. The thrones were known by different names depending on the ornate carved
motifs that encircled and decorated the pedestal of the throne.
(1)The "Thihathana" Lion Throne (numbering two)

There are two such thrones. It is made of "Yamaney" wood, which yields a smooth-grained
timber. The pedestal is decorated with figures of the Myanmar Royal Lion. Hence
the title Thihathana, for "Thiha" means "Royal Lion". One of these thrones is
kept in the Royal Audience Hall located in the forefront of the palace building
where the King resides. From this throne the King receives the homage of his
ministers, queen, wives of courtiers, feudal lords and other officials.
The other royal Lion Throne is located in the Hall of the Council of Ministers
or "Hluttaw". From this throne the King passes royal judgments and issues royal
edicts. It is a replica of the Throne in the Audience Hall.
(2) The "Padommarthana" Lotus Throne

It is made of the wood of the mango tree and because the pedestal is decorated with lotus
blossoms, so known as the "Padommarthana Lotus Throne". It is located in the
Western Audience Hall where the King receives homage of the Queen and royal
ladies.
(3) The Bhammayarthana "Bee" Throne
It is made of wood from the tree of the cinnamomum species or caraway tree. The base is
decorated with the bee motif. It is located in the "glass palace" used for
wedding ceremonies, and on festive occasion such as the "Thingyan" Water
Festival. It is also the throne for the King to spend his hours of rest and
relaxation.
(4) The Mayuyarthana "Peacock" Throne
It is made from the wood of the "Pauk", parrot tree and its motif is the Peacock. It is kept in
the West Entrance Hall. The King accepts tributary gifts such as a white
elephant or a horse of high stock.
(5) The Migarthana "Deer" Throne
This throne with the "deer" motif on the pedestal is made of the wood of a species of the
fig tree, usually found near watercourses. It is placed in the South Entrance
Hall. The King uses this throne for charitable events such as alms giving and
noviciation ceremonies.
(6) The Hantharthana "Brahminy Duck" Throne

This throne is made from the wood of the Thingan or rock dammar tree and is decorated with the
stylised figure of a Brahminy duck. It is located in the East Zetawun Hall,
which has a three-tiered roof. It is used for religious occasions when the
Buddha Image is placed on the throne and on diplomatic occasions when the King
receives foreign envoys.
(7) The Gazathana "Elephant" Lotus Throne
This throne is made of the wood of the "Sagar" (champak) tree and the pedestal is adorned with
the elephant motif. Its place is in the Privy Council Hall. This is the throne
from where the King issues royal orders and edicts.
(8) The Thinkharthana "Conch Shell" Throne

This throne whose base is decorated with the 'conch shell' motif, is madeof the wood of the
Jack Fruit tree. It is placed in the Open Air Balcony, which is also called the
Royal Crown Room. It is used on occasions for granting royal audience as well as
when the King occasionally listened to religious sermons.
The ancient Kings of Myanmar thus used 9 thrones each with its own functions and respective
motifs of lion, lotus, bee, peacock, deer, hintha, elephant and conch shell,
which were considered auspicious. But of the 9 existing thrones 8 were destroyed
by fire in the Second World War. Only one of the two Lion Thrones survived. This
throne has been renovated and refurbished in its original splendour and is now
on display at the National Museum for the benefit of
scholars and researchers.